THE HISTORY OF SILHOUETTES


PORTRAIT OF A PRIVATE IN AN ENGLISH REGIMENT

About the end of the 18th century

In the possession of the Author


The History
of Silhouettes

BY
E. NEVILL JACKSON

THE CONNOISSEUR A MAGAZINE FOR COLLECTORS ILLUSTRATED

London:
THE CONNOISSEUR
1911

All rights reserved
Copyright by E. Nevill Jackson in the United States of America, 1911.


Far in and out, above, about, below,
’Tis nothing but a magic shadow show,
Play’d in a box whose candle is the sun
Round which we phantom figures come and go.
Stanza XLVI.
Fitzgerald’s translation of the Rubyat of Omar Kayyam.

FOREWORD.

Amongst my reminiscences of personal belongings andthe charm of old portraiture, none has given megreater pleasure than the silhouette of bygone days.

The souvenir, sometimes cut by gifted amateurs, was exchangedamongst friends in my early days as the photograph is to-day.We had many at Wolterton, our Norfolk home, and the pictureof my grandmother, Lady Orford, and the cuttings of PrincessElizabeth are amongst my treasured possessions.

I remember Mr. Guest collected silhouettes, and had somefine examples of the work of Miers (who lived near ExeterChange), of Rosenberg, and of Field.

Mr. Guest was a very good judge of such things, having,by many years of collecting, perfected a naturally culturedsense of art. Like myself, he had learnt much from Mr. Pollard.

Lady Evelyn Cobbold shewed me three silhouettes of Mr.Cobbold, his father, and his grandfather, all perfect portraits,and very interesting.

Dorothy Nevill (signature)

CONTENTS

PAGE
Preface1
Chapter I. Black Profile Portraiture, its place in Art, Literature and Social Life3
Chapter II. The Coming of the Silhouette and its Passing13
Ch
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